My final graphic presents a more direct example of how closely intertwined Harper's paper sculptures were with his overall creative life and professional design output, which is a point Makovsky also eloquently argued in his 2001 profile. Lot 198 in Wright's auction is an untitled owl sculpture that bears striking similarities to the "Eye Clock" his colleague Lucia DeRespinis designed while at George Nelson Associates. In an interview published in part on Design Within Reach, DeRespinis described "I’d been at George’s about a year and a half, and I started doing the clock thing... That was really Irving’s territory. But he really felt comfortable with me doing some. Nobody else ever did clocks when I was there." (Source: Design With Reach website 2106, archival link of http://www.dwr.com/category/designers/d-g/lucia-derespinis.do) It is clear that Harper's paper sculptures were an essential element of his creative life and help illuminate the myriad influences that shaped his design work.